JEAN-PIERRE BEKOLO
SCREENPLAYS
​PAUL MATTHEWS
AARON SWARTZ
OLIVER PARKER
OWEN WRIGHT
PARKER LUDWIG
EDITING
PRODUCTION
JEAN PIERRE BEKOLO
FOUNDER-PRODUCER
MEMBERS
TEAM
BARBEL MAUCH
FOUNDER-PRODUCER
SONJAH PRINCE
PRODUCER
LEMA SEKOD
PRODUCER
AARON SWARTZ
OLIVER PARKER
OWEN WRIGHT
PARKER LUDWIG
PAUL MATTHEWS
KATE STONE
STELLA RICCI
FILM SHOOT
LYDIA DOYLE
OLIVER PARKER
OWEN WRIGHT
PARKER LUDWIG
PARKER LUDWIG
KATE STONE
AARON SWARTZ
OLIVER PARKER
OWEN WRIGHT
PRESENTATION
Jean-Pierre Bekolo is an avant-garde filmmaker and socio-cultural activist whose imaginative work overturns stereotypes of Africa and African cinema. His entertaining films operate on multiple layers, engaging viewers with thrilling stories, biting humour and dramatic aesthetics. His debut film Quartier Mozart received the Prix Afrique en Création at the 1992 Cannes Film Festival. His second film, Aristotle's Plot, was commissioned by the British Film Institute to celebrate the 100th anniversary of cinema, and was the first African film selected at Sundance. His 2005 released film Les Saignantes won the Silver Stallion and Best Actress Awards at FESPACO. Bekolo's video installation An African Woman in Space was on display at the Musée du Quai Branly in Paris in 2008. Banned in Cameroon in 2013, Jean-Pierre Bekolo's controversial film Le President questions the phenomenon of Africa's "perpetual governments". His 4-hour documentary Les Choses et Les Mots de Mudimbe was part of the official selection of the 2015 Berlinale. In 2009 he published Africa for the Future – Sortir un Nouveau Monde du Cinéma. Bekolo has also taught at UNC Chapel Hill, Duke University, and the University of Yaoundé. In 2015 he received the Prince Claus Award.
- Intelligere Est Phantasma Speculari -
Jean-Pierre Bekolo was born June 8th, 1966 in Yaounde, he studied physics at University of Yaounde 1984-1987 and Television production (editing) at Institute National de l'Audiovisuel - INA in Paris where he also studied semiotics under Christian Metz 1988-1989. He was part of the inaugural class of the Clinton School of Public Service (President Clinton school of public service for social change) in Little Rock Arkansas in 2005.
1992 Jean-Pierre Bekolo is a noted African film director from Cameroon. He already garnered attention at the Cannes Film Festival with his debut film Quartier Mozart made at the age of 25, with a style that is playful, comic, and sardonic became the representative of a new generation that has been working against the restrictive expectations of African cinema, mixing genres and linking pop with politics. Quartier Mozart won number of awards (Locarno, Montreal... and was nominated for the Surtherland Trophy in London along with Tarantino's Reservoir Dogs.)
An advocate of artistic freedom, Bekolo is committed to realising Africa’s philosophies and cultures. Quartier Mozart shows the hybridity, complexity and humour in urban Yaounde in a playful, hip-hop reinvention of a traditional tale about gender, power, magic and politics.
1995 He directed Aristotle's Plot , the African entry in the British Film Institute's series of films commemorating the centenary of cinema that has included the participation of artists such as Scorsese, Bertolucci, Frears, Miller, Reitz, and Godard. Part action movie send-up, part parody of Aristotle's rules, part satire on Africa's preoccupation with itself, this first African film selcted at Sundance shows Bekolo to be an "increasingly fearless trickster."
Aristotle’s Plot parodies rules and definitions, action movies and ‘African’ cinema made for European audiences, while aesthetically reflecting on the nature of existence, its ambiguities and absence of rigid categories.
1996 Bekolo’s work on the re-representation of Africa also includes insightful documentaries
that seek to educate, such as Grandmother’s Grammar on groundbreaking Senegalese filmmaker Djibril Diop Mambety.
2005 His avant-garde political thriller Les Saignantes premiered at the Toronto film festival, was nominated in two categories at the French Césars (2009); it is considered to be the first African sci-fi movie. Les Saignantes won the Silver Stallion & Best Actress Awards at Fespaco (Pan African Film Festival Ouagadougou, Burkina Faso) in 2007.
This dystopian, sci-fi comic thriller with stunning surreal visuals, presents extreme corruption, feminism, social decay and intergenerational conflict for review.
2013 Banned in Cameroon in 2013, Jean-Pierre Bekolo's controversial film Le President (2015 AMAA Awards Best screenplay and Jury Special Prize) Aiming to incite viewers to conceive an alternate reality, his fake documentary The President is a hilarious, biting satire on African leaders who cling to power.
2015 Les Choses et Les Mots de Mudimbe on the renowned Congolese philosopher, multi-linguist and uber-polymath. This 4 hours documentary was part of the official selection of the 2015 Berlinale. "An unusual film, as fascinating as its object/subject, opulent, sensitive, clever, and radical. Another station of delightful postcolonial, cosmopolitan filmmaking".
Jean-Pierre Bekolo is awarded for his creative resistance, irreverence and eclectic
African reworking of dominant cinema conventions; for creating a unique body of innovative
work that both entertains and transmits profound socio-political messages; for his highly
original aesthetics; for challenging misrepresentations of African cultures; and for re-affirming the power of film.
2016 Naked Reality
2017 Miraculous Weapons (in Post-production)
2017 Our Wishes (shooting)
CV
THE BLOG
Activities as Lecturer
1998 Film Lecturer at Virginia Tech in Blacksburg VA – Production workshop “Theater and New Visual Media”
2000-2001 Film Lecturer at University of North Carolina at Chapel Hill in the Communication Department Video Production class “From the idea till the final film”
2003 Film Lecturer at Duke University in the Film & Video Program of the Literature Department – Video Production class “ What Films are Made of”
Articles-Interviews
2008 Welcome to Applied Fiction, Framwork New-York
2014 View From Africa – heinrich Boll Stiftung
May 2016 Haunted by the future , Kerber-Berlin
Books
2009 Africa for the Future, Dagan-Paris
2016 Cineaste sans Camera (soon)
Others
Jean-Pierre Bekolo is the General Secretary of the Guilde of African Filmmakers, he is also on the board of FEPACI (Federation Panafricaine des cineastes) and a founding member of the World Cinema Alliance e.V. (along with Francesco Maseli assistant of Visconti) He has been dividing his time between the USA, France, Germany, South Africa and Cameroon.
He was until Feb.2015 a fellow of the Artists Program at the German Academic Exchange Service (DAAD) in Berlin. He just won the 2015 Prince Claus Award.
Links
A film about Prince Claus Fund Laureate Jean-Pierre Bekolo shown during the 2015 Prince Claus Awards at the Royal Palace Amsterdam. (Produced by Brenninkmeij)
2015 Prince Claus Laureate Jean-Pierre Bekolo
https://www.youtube.com/watch?v=eA92mZEZW9I
Films
​
2017 – Our Wishes -. - (in production)
2017 – Miraculous Weapons -. - (in post-production)
2016 – Naked Reality -62min. - Science-fiction
2015 – Les Choses et les Mots de Mudimbe -243min. - Documentary Berlinale 2015
2013 - Le President - How do you know it's time to go? – 63min. Feature film banned in Cameroon
2007-2008 An African Woman in Space, HD - video installation - part of DIASPORA exhibition at Musée Quai Branly Paris, France
2005 Les Saignantes 93min.- Feature film - France- Cameroon
1996 La Grammaire de Grand'mere 8min - Interview of filmmaker Djibril Diop Mambety, Senegal.
1995 Aristotle's Plot 71min. - Feature film - Zimbabwe, South Africa UK, France, Canada. Part of British Film Institute 100 years of cinema's series along with Martin Scorsese, Stephen Frears, Jean-Luc Godard, Bernardo Bertolucci, George Miller...
1992 Quartier Mozart 83min. - Feature film - France Cameroon.
Awards
2015 Prince Claus Award
2013 Price of the city of Cordoue for LE PRESIDENT
2007 Silver Stallion of Yennenga (2nd Prize) and Best Female Actresses Prize at FESPACO
1997 ARISTOTE'S PLOT Winner Prized Pieces Film Awards, Pittsburgh USA The National Black
Programming Consortium.
1993 QUARTIER MOZART Nominated for the British Film Awards along with Tarantino’s Reservoir Dogs
1992 QUARTIER MOZART Cannes Film Festival Prix Afrique en Création.
1992 QUARTIER MOZART Locarno Film Festival Prix Swissair - Prix Carte Jeunes.
1992 QUARTIER MOZART Montréal World Film Festival Mention Spéciale du Jury.
Festivals
Naked Reality
2016 – Durban International Film Festival
Les Choses et les Mots de Mudimbe
2015 Berlinale – FID Marseille
Le President
2013 Festival Cine Droit Libre Ouagadougou/Abidjan/Dakar) – Durban – Kampala
Les Saignantes
2012 Africa in Motion (Edinburg)
2008 African Screens HKW (Berlin)
2007 Festival Panafricain de Cinema de Ouagadougou FESPACO (Burkina Faso)
2006 Barcelona – Carthage – Bruxelles – Durban – New-York – Montréal
2005 Toronto International Film Festival – Torino (Italy)
Aristotle's Plot
1998 Smithsonian - Marseille - Carthage
1997 Sundance Film Festival-Rotterdam-Amiens
1996 Toronto Film Festival
Quartier Mozart
2000 Sao Paulo, Brésil
1998 Budapest, Marseille, Perugia
1993 Lincoln Center, Londres, Jérusalem, New Delhi, Chicago, Dublin, Götenborg, Copenhagen, Genève, Washington, Philadelphie, Ouagadougou (Burkina Faso)
1992 Cannes, Locarno, Montréal.
Conferences
1998 Great African Films of the 90ies Smithsonian Washington DC
2009 Festival International Jean Rouch – Comite du Film Ethnographique “Panel of Innovation”
2011 The Aesthetics of Vulgarity – NYU
2012 Keynote - “Making Movies From a Place” African Literature Association – Dallas
2013 Keynote - “Cinema Beyond Censorship” African Film and Politics Conference University of Westminster - London
African Screens – Lisbon
The Future Of Weird: Visions Of Excess - Brooklyn
2014 MR DAGARNA – “Cinema Beyond Censorship” Swedish Forum for Human Rights - Umea/
2015 African Literature Association – Bayreuth – Les Choses et les Mots de Mudimbe
Africa Futures - Goethe Johannesburg - keynote
Africa Acts - CNRS Paris – Les Saignantes
AfroFuturism – Berlin – Les Saignantes
2016 Keynote - Humboldt Forum Conference – Johannesburg
Keynote - Berlinale Talents “Cinema of the Future”- Berlin
Cinema Exhibition “Welcome to Applied Fiction” -Savvy contemporary Gallery - Berlin
Cinema Exhibition “Welcome to Applied Fiction” -KIA Motors Showroom - Goethe Institute - Yaounde